A Portrait of the Artist as a Young Man by James Joyce

The Scarlet Letter Monolog Essay A monolog from the book by Nathaniel Hawthorne NOTE: This monolog is republished from The Scarlet Letter. Nathaniel Hawthorne. Boston: Ticknor, Reed Fields, 1850. STRANGER: Hester I ask not wherefore, nor how, thou hast fallen into the pit, or state rather, thou hast rose to the platform of disgrace, on which I discovered thee. The explanation isn't far to look for. It was my imprudence, and thy shortcoming. I,â€a man of thought,â€the bibliophile of incredible libraries,â€a man as of now in rot, having given my greatest years to take care of the ravenous dream of knowledge,â€what had I to do with youth and excellence like thine own! Distorted from my introduction to the world hour, how might I mislead myself with the possibility that scholarly blessings may shroud physical deformation in a youthful girl’s dream! Men call me insightful. In the event that sages were ever insightful in their own behoof, I may have predicted this. I may have referred to that, as I came out of the immense and inauspicious woodland, and entered this settlement of Christian men, the absolute first item to meet my eyes would act naturally, Hester Pr ynne, standing up, a sculpture of lowness, before the individuals. Nay, from the second when we descended the old church-steps together, a wedded pair, I may have observed the parcel fire of that red letter bursting toward the finish of our way! It was my indiscretion! I have said it. In any case, up to that age of my life, I had lived futile. The world had been so sorrowful! My heart was a residence enormous enough for some visitors, yet forlorn and chill, and without a family unit fire. I ached to ignite one! It appeared not all that wild a dream,â€old as I seemed to be, and serious as I seemed to be, and distorted as I was,â€that the basic ecstasy, which is dispersed far and wide, for all humanity to get together, may yet be mine. Thus, Hester, I drew thee into my heart, into its deepest chamber, and looked to warm thee by the glow which thy nearness made there! We have wronged one another. Mine was the main wrong, when I double-crossed thy maturing youth into a bogus and u nnatural connection with my rot. In this way, as a man who has not thought and philosophized futile, I look for no retribution, plot no shrewdness against thee. Among thee and me, the scale hangs genuinely adjusted. Yet, Hester, the man lives who has wronged us both! Who right? Trust me, Hester, there are not many things,â€whether in the outward world, or, to a specific profundity, in the undetectable circle of thought,â€few things escaped the man, who dedicates himself sincerely and wholeheartedly to the arrangement of a secret. Thou mayest conceal thy mystery from the meddlesome large number. Thou mayest hide it, as well, from the pastors and justices, even as thou didst this day, when they tried to torque the name out of thy heart, and give thee an accomplice on thy platform. Be that as it may, concerning me, I wake up than they have. I will look for this man, as I have looked for truth in books; as I have looked for gold in speculative chemistry. There is a compassion that will make me aware of him. I will see him tremble. I will feel myself shiver, out of nowhere and unprepared. At some point or another, he should needs be mine! He bears no letter of ignominy fashioned into his piece of clothing, as thou dost; yet I will peruse it on his heart. However dread not for him! Figure not that I will meddle with Heaven’s own strategy for revenge, or, to my own misfortune, deceive him to the problem of human law. Neither do thou envision that I will create nothing against his life; no, nor against his distinction, if, as I judge, he take care of business of reasonable notoriety. Allow him to live! Let him conceal himself in outward respect, on the off chance that he may! Not the less he will be mine! .u08e724b9068e065e3dcf4496f86f34b9 , .u08e724b9068e065e3dcf4496f86f34b9 .postImageUrl , .u08e724b9068e065e3dcf4496f86f34b9 .focused content region { min-tallness: 80px; position: relative; } .u08e724b9068e065e3dcf4496f86f34b9 , .u08e724b9068e065e3dcf4496f86f34b9:hover , .u08e724b9068e065e3dcf4496f86f34b9:visited , .u08e724b9068e065e3dcf4496f86f34b9:active { border:0!important; } .u08e724b9068e065e3dcf4496f86f34b9 .clearfix:after { content: ; show: table; clear: both; } .u08e724b9068e065e3dcf4496f86f34b9 { show: square; progress: foundation shading 250ms; webkit-change: foundation shading 250ms; width: 100%; haziness: 1; change: murkiness 250ms; webkit-progress: mistiness 250ms; foundation shading: #95A5A6; } .u08e724b9068e065e3dcf4496f86f34b9:active , .u08e724b9068e065e3dcf4496f86f34b9:hover { obscurity: 1; progress: darkness 250ms; webkit-progress: haziness 250ms; foundation shading: #2C3E50; } .u08e724b9068e065e3dcf4496f86f34b9 .focused content territory { width: 100%; position: re lative; } .u08e724b9068e065e3dcf4496f86f34b9 .ctaText { outskirt base: 0 strong #fff; shading: #2980B9; text dimension: 16px; textual style weight: intense; edge: 0; cushioning: 0; text-improvement: underline; } .u08e724b9068e065e3dcf4496f86f34b9 .postTitle { shading: #FFFFFF; text dimension: 16px; textual style weight: 600; edge: 0; cushioning: 0; width: 100%; } .u08e724b9068e065e3dcf4496f86f34b9 .ctaButton { foundation shading: #7F8C8D!important; shading: #2980B9; fringe: none; fringe range: 3px; box-shadow: none; text dimension: 14px; text style weight: striking; line-stature: 26px; moz-fringe span: 3px; text-adjust: focus; text-enhancement: none; text-shadow: none; width: 80px; min-stature: 80px; foundation: url(https://artscolumbia.org/wp-content/modules/intelly-related-posts/resources/pictures/straightforward arrow.png)no-rehash; position: supreme; right: 0; top: 0; } .u08e724b9068e065e3dcf4496f86f34b9:hover .ctaButton { foundation shading: #34495E!important; } .u08e724b9068e0 65e3dcf4496f86f34b9 .focused content { show: table; tallness: 80px; cushioning left: 18px; top: 0; } .u08e724b9068e065e3dcf4496f86f34b9-content { show: table-cell; edge: 0; cushioning: 0; cushioning right: 108px; position: relative; vertical-adjust: center; width: 100%; } .u08e724b9068e065e3dcf4496f86f34b9:after { content: ; show: square; clear: both; } READ: Trifles monolog Essay We will compose a custom paper on The Scarlet Letter Monolog explicitly for you for just $16.38 $13.9/page Request now

Rita Hayworth and Shawshank Redemption Essays

Rita Hayworth and Shawshank Redemption Essays Rita Hayworth and Shawshank Redemption Paper Rita Hayworth and Shawshank Redemption Paper Exposition Topic: The Shawshank Redemption The account of Rita Hayworth and Shawshank Redemption begins in 1947 when Andy Dufresne shows up at Shawshank jail. Far-fetched different convicts Andy is certainly not a solidified crook. He is a mild-mannered investor indicted for slaughtering his significant other and her darling. Andy claims he is guiltless. Not long after he shows up at the jail The Sisters, a posse of jail attackers drove by Bogs Diamond, turn their considerations to Andy. The story is described by Red. He is the person who can get stuff. Red his notable for having the option to get nearly anything into Shawshank jail, and this is the explanation that Andy approaches him. Andy has hushed up about himself, yet one day approaches Red in the activity yard. Andy used to appreciate rock-cutting, and wishes to keep on doing as such inside the jail, since he has a lot of time on his hands. He requests that Red get him a stone sledge. Red is somewhat dubious from the start, figuring this might be a deadly article (which it is). Anyway he comprehends Andys demand somewhat more when the sledge shows up. Andy utilized the mallet to shape himself rocks he finds in the activity yard. He is intending to finish a whole chess set. Andy and Red build up an aware fellowship. After some opportunity Andy comes into the cinema and requests that Red get him a banner of Rita Hayworth, who shows up on the film screen that Red is watching (This is the main reference to Rita Hayworth in the story). Red notification that Andy is uniquely anxious and energized when requesting the banner. The jail consents to give detainment facilities to tar the top of a structure. Clearly detainees are quick to leave the jail regardless of whether it implies hard work. Red, being the powerful man he is, discretely organizes the gatekeepers to guarantee that Red and his buddies get the work detail. While on the rooftop Hadley, the head of the gatekeeper, is telling different watches how he has been left a legacy by his rich sibling. Different gatekeepers are eager for him, anyway Hadley grumbles about the expense he should pay on the legacy. Andy approachs Hadley, who about loses him the rooftop. Purchase Andy proceeds and clarifies that there is an escape clause which permits Hadley to keep his whole legacy, without settling charge. Andy offers to finish the administrative work in return for certain lagers for himself and his individual work detail detainees. This is a significant occasion in the story as Andy become all around respected with his detainee companions and the gatekeepers. Likewise with his life outside, Andy turns into an effective monetary counsel inside the jail. The jail workers use Andy to finish their assessment forms, advance applications and other comparable money related undertakings. Consequently the gatekeepers get Andy insurance from Bogs and different Sisters. Andy is additionally ready to involve his cell all alone, in contrast to most different prisoners. In the book Andy shares his phone quickly with an Indian called Normaden. He before long leaves however, referencing an awful draft in the cell while he was there. Normaden doesn't show up in the film. In the film all detainees have their own cell. At the point when Brooks the administrator is paroled, Andy assumes control over the bookkeeper job. Andy sends week after week letters to the state senate requesting assets for books. Different prisoners and watchmen think he is burning through his time. The state just spends jail cash on bars, not books. Andy gets no reaction to his letters, until one day he receives cash (books in the film). Andy at that point begins to compose twice week after week. Andys tenacious work develops the library extraordinarily. Andy causes a few different detainees to get their secondary school recognitions and degrees. One of the numerous superintendents in the novel (there is just a single Warden, Norton, in the film) begins a program got Inside-Out, in which detainees work outside the jail for exceptionally low wages. Different organizations can't rival this minimal effort work, and frequently pay off superintendent Norton not to offer on contracts. This money must be laundered, and Andy does this for nothing, for proceeded with assurance in the jail, and the purpose of the library. Another detainee called Tommy comes to Shawshank jail. Tommy tells another detainee, who tells Andy, that Tommy had a cellmate at an alternate jail who boasted about murdering a rich golf player and some superstar financiers spouse, and the investor getting imprisoned for it. This is obviously the genuine enemy of Andys spouse. Andy sees the chance of another preliminary since this proof would demonstrate his guiltlessness. Superintendent Norton excuses the story, advising Andy to overlook this made up story. At the point when Andy contends with him superintendent Norton sends Andy to isolation, to help Andy to remember his place in the jail chain of importance. Norton interviews Tommy about the data he has. Norton is worried about loosing Andy, and makes an arrangement with Tommy. Tommy won't discussion of the data he has, and he gets moved to a base security jail. In the film Tommy is shot by watch Hadley. At the point when Andy comes back from isolation he discovers Tommy gone, alongside any possibility of Andys opportunity. In Andys disillusioned state he talks finally with Red. Andy tells Red of his fantasy about moving to Mexico, and settling in the humble community of Zihuatanejo on the Pacific coastline. Red begins to stress over Andy, expressing that he is talking interesting. Andy tells Red of a town in Buxton in Maine, that was a unique spot for him and his better half. Andy reveals to Red that when he escapes Shawshank, to find a particular tree in a particular field in this town. Half a month pass, and on one morning Andy is found missing at move call. An underlying pursuit doesn't discover Andy. The superintendent is glancing in Andys cell when he finds a banner covering the divider, presently Raquel Welch. The superintendent evacuates the banner and finds a man-sized passage slice through the dividers of the jail. Andy had been spending his nighttimes, since getting his stone mallet, gradually burrowing through the jail dividers. The evening of his getaway, once through the jail dividers, Andy broke into a sewage pipe and crept 500 yards through it, lastly came out into a dump past the grounds of Shawshank jail. Andy was free. Some time after Red gets a clear postcard from a modest community in Texas (McNary), close to the U. S. - Meixco outskirt. Red realizes this is Andy telling him everything is great, and he is making a beeline for Mexico. Red is paroled and starts to make a life for himself outside of the jail. Red hick-climbs to Buxton, and finds the field and tree Andy has outlined for him. Red finds a covered tin, with a note from Andy, and a whole of cash. Red abuses his parole and gets a transport to Mexico, planning to discover his companion Andy. The novella finishes here, however the film has a last shot where we see Red waking over a sun soaked sea shore in Mexico, towards Andy who is chipping away at his vessel.

Kennan, George Frost

Kennan, George Frost Kennan, George Frost, 1904â€"2005, U.S. diplomat and historian, b. Milwaukee, Wis., grad. Princeton, 1925. A brilliant strategist and among the most influential and intellectual Americans in the 20th-century Foreign Service, he served from 1927 in various diplomatic posts in Europe, including Geneva, Hamburg, Riga, Berlin, Prague, Lisbon, and Moscow. Kennan was perhaps the first senior U.S. diplomat to recognize the dangers inherent in the Soviet system and its aims. From his post in Moscow he sent his Long Telegram (1946), which with his 1947 Foreign Policy article (published under the pseudonym X) was pivotal in the establishment of the U.S. cold war policy of Soviet containment (rather than military confrontation) that ultimately won that conflict. In 1947 he became chairman of the policy-planning staff of the State Dept., and contributed to the development of the Marshall Plan . He also was influential in the development of what became the Central Intelligence Agency's clandestine service. Later (1949â€"50) he was one of the chief advisers to Secretary of State Dean Acheson , but increasingly he disagreed with those in the government who emphasized the military aspects of containment, believing that Soviet expansion should be contained more through political and economic means. Kennan was appointed ambassador to the USSR in 1952, but was recalled at the demand of the Soviet government because of comments he made on the isolation of diplomats in Moscow and on the campaign that Soviet propagandists were conducting against the United States. Retiring from the diplomatic service in 1953, he joined the Institute for Advanced Study at Princeton, N.J., and from 1956 until 1974 was a professor at its school of historical studies. In the late 1950s he became an advocate of the withdrawal of U.S. forces from Western Europe and of Soviet forces from the satellite countries. From 1961 to 1963 he served as U.S. ambassador to Yugoslavia, and in the mid-1960 s he opposed U.S. involvement in Vietnam, regarding the conflict there as peripheral to U.S. interests. In general, he opposed the militarization and aggressiveness that tended to characterize American foreign policy at the time, and during the 1970s and 80s he frequently expressed his fear of the dangers of nuclear weaponry. Kennan was also a pioneer in his concern for the ravaging of the environment and the perils of overpopulation. His more than 20 noteworthy books include American Diplomacy, 1900â€"1950 (1951), Soviet-American Relations, 1917â€"1920 (2 vol., 1956â€"58; Vol. I, Pulitzer Prize), Russia and the West under Lenin and Stalin (1961), Nuclear Delusion (1982), and At a Century's Ending (1996). See George F. Kennan and the Origins of Containment, 1944â€"1946: The Kennan-Lukacs Correspondence (1997) and J. Lukacs, ed., Through the History of the Cold War: The Correspondence of George F. Kennan and John Lukacs (2010); F. Costigliola, ed., The Kennan Diarie s (2014); his memoirs (2 vol., 1967â€"72; Vol. I, Pulitzer Prize) and the autobiographical Sketches from a Life (1989); biographies by J. Lukacs (2007) and J. L. Gaddis (2011); N. Thompson, The Hawk and the Dove: Paul Nitze, George Kennan, and the History of the Cold War (2009). The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved. See more Encyclopedia articles on: U.S. History: Biographies

Babylon Revisited And The Grape Of Wrath Analysis

Both Babylon Revisited and The Grape of wrath are stories that capture and explain the difficulties and the changes that occurred in peoples lives as a result of the Great Depression of 1929. Babylon Revisited explores life after the recession with its setting being in the 1930s. It explains the economical downfall of individuals during the recession and how they view the life before the recession, during the recession, and after the recession. The Grape of Wrath is set in the recession time with the story focusing on the Joad family, their woes during the move to California to search for work and the numerous challenges that they faced in California. It gives an in-depth understanding of what the great depression was all about and how†¦show more content†¦He then goes to search for his family at his uncles accompanied by his friend Tim who they reconnect on his journey back home. The arrival at his uncles place where his family had taken shelter dawned on him the increased rates of unemployment. Even his uncles family had fled the countryside to California in search of work. This meant that the desperation for work was increasing alarmingly (Steinbeck, 1939). Charlie in the Babylon Revisited takes his time to study Paris and visit all the areas he used to go to before the Recession. He realized that there was so much that he had missed out on in those several years. This clearly shows that Charlie was not able to travel to Paros as often as he used to which described his reason why he hadnt been in touch with his friend. The Great Depression can, therefore, be seen to have caused tremendous changes in his life including his lifestyle and his travels. In changing his lifestyle, Charlie is seen to have quit his drunkard ways and only drunk one bottle a day as is shown when he declines his friends offers to go and drink wildly like they used to before. While Charlie was away, it is not clear if he had to go to rehab to change his ways or the money troubles from the recession did this on their own (Fitzgerald, 2008). The Grape of Wrath saw the Joad family travel to California in search of work which was scarce and getting scarcer by day as more people trickled in

Ferhana Shah. Dr. Neufeld And Dr. Slucki. Honors Colloquium

Ferhana Shah Dr. Neufeld and Dr. Slucki Honors Colloquium in Western Civilization 14 April 2017 Transcending Double Consciousness in 20th Century America In The Souls of Black Folk, W. E. B. Du Bois coins â€Å"double consciousness†, as a â€Å"peculiar feeling†¦ this sense of always looking at one s self through the eyes of others† (Du Bois I). He goes on to say that as a black person, â€Å"one ever feels his twoness—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body,† (Du Bois I). In other words, double consciousness refers to living with two identities that are at constant war with each other. For Du Bois, a black man can never simply just be an â€Å"American† or a â€Å"Negro†, for blacks will†¦show more content†¦While Du Bois gives us a clear vision for his solution to dealing with these issues, by placing a strong emphasis on education as a way to escape the bonds of double consciousness, The Jazz Singer is not as explicitly clear. However, based on the film’s ending, The Jazz Singer does seem to suggest that the only way to lessen the burden of double consciousness is to confront the issue head-on by trying to mesh the two identities into one. Immigrants who come to the United States of America arrive from all corners of the world, and inevitably bring their own cultures, languages, dress, values, and beliefs with them. Jackie’s father, Cantor Rabinowitz, is no exception to this notion. While Cantor Rabinowitz may have no problems with wholeheartedly clinging to the traditions of his homeland, Jackie, as a first generation American, struggles to stabilize his conflicting Jewish and American roots. His Jewish upbringing in New York and his father’s expectation that Jackie will be a Jewish cantor constantly competes with his passion for singing jazz tunes and his dream of becoming a Broadway performer (Crosland). As mentioned earlier, according to Du Bois, African Americans have this same identity crisis: no matter what minority groups do to try to fit into the role of the standard â€Å"American†, they

Guidelines Free Essays

How is history (or the author’s biography) related to the short story? On your points and ideas by citing lines from the story. Moral ‘Philosophical Approach * Expound * What morality or philosophy in life does the short story teach to its readers? Expound on your points and ideas by citing lines from the story. Formalism Approach * Analyze the elements of the short story. We will write a custom essay sample on Guidelines or any similar topic only for you Order Now * How do the elements help establish the overall message of the story? Psychoanalytical Approach * Examine the three parts of the major character’s psyche. Explain how sexuality motivates the behavior and the struggle of the protagonist. * What symbols that are linked to sexual pleasure are made apparent in the story? Archetypal Approach * Identify and analyze the recurring patterns or symbol’s in the story. * Expound Feminist Approach * What female roles are pointed out in the story? * Explain how society imposes gender gap. Marxist Approach * Discuss the struggle within classes (the haves vs.. The have-onto/the elite vs.. The socially impoverished). * How does power remain constant or shift throughout the Tory? Reader Response Approach * How do you relate with the short story? * What are your personal responses to the short story? NOTE: Regardless of the approach used, the plot of the story should be pointed out. Criteria: Content (Are the questions clearly answered? How in-depth are the responses and discussions? How to cite Guidelines, Papers

MANAGING THE RFP PROCESS - BEST PRACTICES FOR WRITING PROPOSALS - The Writers For Hire

MANAGING THE RFP PROCESS BEST PRACTICES FOR WRITING PROPOSALS Congratulations! The RFP seems like a perfect fit. Your company has decided to submit a proposal and you’re the project lead. Whether you’re managing the process in-house or working with a team of professionals like The Writers for Hire, here are some tips to help you maneuver the process successfully. FIRST, DO YOUR HOME WORK Read the RFP from top to bottom, end to end. It may be a chore to plough through what seems to be mind-numbing boiler plate but every word is important. Hidden within plain sight may be critical requirements, restrictions, or prohibitions, as well as provisions that may be especially favorable to your organization’s mission or line of business. RFPs can be be complex, but most require the following in some fashion: Company ProfileOrganizational ChartDescription/Documentation of Past PerformanceScope of Work/Project Plan and ApproachManagement/Staffing PlanBios/Resumes of Proposed StaffImplementation/Transition Plan/Phase-in and Phase-out TimelinePricing Information/Pricing TablesProof of Licenses and Certifications Be sure to follow all the links in the RFP as well, including links to questions about the RFP and the bidding process. Of course, make note of all deadlines – for questions not addressed in the RFP, information sessions for potential bidders, and, most important, the date and requirements for submitting proposals. Finally, check out the RFP issuer’s website and their social media for additional insights into their business practices and needs. THEN, MAP OUT YOUR TIMELINE . . . Work backward from the RFP’s submission date, and build in a 48 hour (if possible) margin for breathing room, printing, and submission by email or physical delivery. The timeline should be aggressive – to keep up momentum, yet realistic – to avoid undue stress. If you are using a professional writer, allow time for the initial consultation, your review of their draft, and any final editing, proofing and formatting they might have to do. . . . AND ASSEMBLE YOUR TEAM Your review of the RFP will help you identify persons who should be part of your team. Even if all or most of the responsibility for the proposal rests with you, you will need to gather information from others in your organization. Consider them part of your team. Folks who’ve been around since the earliest days of your organization may be valuable sources of information. The size of your team is likely to depend on the size of your company and the complexity of the RFP and your proposal. In addition to you, the Proposal Manager, your team may also include: A Sales Team RepresentativeA Contract Manager Subject Matter ExpertsAn EstimatorA WriterA Graphic ArtistAn Editor You can find descriptions of your role and of other team members on The Writers for Hire blog. A few of your team members may wear more than one hat but you should ensure that you have enough people on the team to meet the deadline. Even though you may be working with your best industry experts, don’t assume they are expert RFP preparers. Expect to devote some time up front to clarifying everyone’s expectations, roles, and responsibilities. Be prepared to walk through the RFP’s requirements and explain your vision and approach for the proposal. The following questions might help guide your initial, kick off meeting with the team: Do we know why the RFP is being issued? What are our strongest selling points and/or competitive strengths?What are our largest challenges in winning this RFP?Are there any qualifications or requirements we cannot meet? If so, how do we want to address these?What would make the RFP issuer most likely NOT to hire us? Do we know of any competitors who are bidding (or likely bidding) on this project? Why would they/ could they win instead of us?If we were the issuer, why would we choose our organization to win this RFP, over and above all others who may be responding?Did we bid on this opportunity in the past and not get it? Do we know why? Did the RFP issuer provide any sort of evaluation or scorecard? Do we have any other proposals we could use as a point of reference? If the RFP is large enough, you may need to assign mini teams writer, SME consults, editors, and proofers – to each section. Most importantly, however, each section needs a point person to assume responsibility for getting that piece done on time. This point person could be the same person for all sections of the RFP, or each section of the RFP could have its own owner, all whom feed their sections to you, the project lead. CHOOSE YOUR TOOLS You will need to choose a document system and agree ahead of time on the procedures for edits and comments within the draft document. Word and Google Docs work well for documenting group collaboration. Google Docs’ color-coded highlighting, for example, is a good way to indicate whether text is draft copy, reviewed/edited, final, or still needs information/clarification/editing. You might also want to consider using a project management program or RFP software to help keep track of deadlines, rules, forms, and updates. There are many to choose from, depending on your specific needs for managing feedback from multiple reviewers and balancing several time-sensitive moving parts. Check out this detailed review of four software options on The Writers for Hire blog. At a minimum, you will want to create some kind of spreadsheet with column heads for project milestones, due dates, and reviewers for the initial drafts as well as reviewers for the final package. SET THE RIGHT TONE FOR COLLABORATION Communication within the team will be critical throughout the proposal writing process. Schedule regular times for progress reports; don’t hesitate to issue gentle reminders and updates on the timeline; and encourage folks to give you early warning if they are encountering problems. CREATE YOUR MASTERPIECE! Proposals are not works of art but they can be well crafted. If, now that you are organized and ready to write, the process still seems daunting, consider using the The Writers for Hire BOSS system. BOSS guides you through creating the major sections of your proposal; organizing information you have on hand (brochures and previous proposals); determining what you need to create from scratch (charts and tables); and, finally, putting it all together with the required pricing data and supplemental information. COMPOSE A COVER LETTER AND AN EXECUTIVE SUMMARY These should be written last, when you have the perspective of the entire proposal. The RFP may not require an executive summary, but consider adding one anyway. Check out The Writers for Hire Blog for tips on writing an engaging cover letter and an effective executive summary. EDIT, PROOF, AND FORMAT Enlist a non-team member to edit the entire proposal for clarity and continuity, and recruit yet another outsider to proof the draft for grammar and spelling. You, as project lead, should review the entire RFP one last time to make sure you have addressed all the requirements. Finally, consider getting someone with design chops to format the final proposal – an additional touch that might make your bid stand out. (Make sure this person is aware of any formatting requirements in the RFP.) CELEBRATE! You’ve done it. Congratulate your team and bask in your own accomplishment after you hit that send button, make that mail drop, or execute that hand delivery!